Shhh Don't tell
Mama
"Shhh Don't tell Mama,"
is the new incarnation of the Jewel Box Revue, which ran for almost 9 years at
the Tropicana Showroom, Royal Cabana Casino. With the casino temporary closing in
March, 2001, and the change in ownership, the fabulous show
divas all left the island. Surprise, they are back, minus headliner Ron Raymond,
for a totally different production. Former producer Norbet Aleman, a
Vegas veteran of many stages, knew exactly what he wanted and expected his stars to jump
through hoops according to his specs.
The show was, there's no better way of saying it, a bit stiff. Entertaining, yes, however
very staged and controlled. The new version, produced by Humphrey Odor,
the showroom's former stage manager has a looser format and a cheekier twist. The Divas
now visibly enjoy a greater degree of creative freedom, thus delivering more of themselves
on cue.
One of the biggest
surprises are the dance numbers. Those cast dancers move wonderfully and the fresh
choreography by Gayle Hagedoorn and Bob Ollar is quite
demanding. No more pretty faces loaded with feathers a la Vegas showgirls. "Welcome
To My Party," the opening number, all of Madonna's and Gloria Estephan
sequences, including going under a limbo stick, Victor / Victoria's "Le Jazz
Hot," Celia's Cruz' sizzling "La Vida es un Carnival," are
technically difficult and very flashy, glitzy, jazzy. John Hernandez the
man behind Madonna's "Hanky Panky," is a superb star dancer, no spanking
required. Irene, Astrid, Jacky, Gayle and two male dancers Orlando
& Alcides all give brilliant supporting performances. Joan Rivers is
no doubt the Queen of the Night.
Gary Dee
is in perfect command of the stage and appears to love the freedom the new era affords
him. He regularly pauses to banter with audiences, live, off -script. His gowns are
naturally showstoppers, and every time he walks in dressed to the ninth ticket-holders
voice their complete satisfaction with spontaneous applause. Gary's Joan discusses marital
vows, weight loss, menopause, intercourse, or the lack of, with incredible candor. She
picks on front row guests mercilessly, ripping their hair and waist lines, size of wedding
and engagement rings, apart, yet she also regularly practices self effacing humor
announcing she looked like a Gay Rooster or Big Bird in Drag. Gary's
daring segment as Judi Garland, is unexpected and very good. It helps define his
dramatic abilities. Eddy Pinero as Dionne Warwick and Tina
Turner is the world greatest make up artist. Steve Andrade, as Celine
Dione in "I Know I'll Never Love This Way Again," has smoldering eyes. He
twitches and flips his hair, just like the Canadian superstar.
Junior Castaneda, a
newcomer to the stage holds up his end of the revue, respectfully. Humphrey Odor
seems to have buckets of fun as the Mambo King's Celia Cruz, and he has really
perfected her signature gap-toothed "Azucar." Bob Ollar possesses a powerful
stage personality as Bette Midler and "What Makes A Man A Man." The
Charles Aznavour song, a touching classic, answers that eternal question quite
conclusively.
The show is $35 per person and tickets are available at the box office every night except
Sunday.
[courtesy
of Rona Coster]
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